明孝陵石獸身上被寫(xiě)“到此一游” 官方：今后會(huì)加強(qiáng)巡查 關(guān)于崩鐵和 FateUBW 聯(lián)動(dòng)活動(dòng)的 Saber 和 Archer，有提前了解角色和劇情的事可做不？ A mudslide caused by heavy rain and forest clearance almost sweeps away the cabin at the foot of the wooded slope. But this is not the only upheaval in Nikitas’s life. Shortly after the landslide, a man on an off-road motorbike comes racing through the forest and stops in front of Nikitas’s cottage. For the first time in twenty years, Nikitas’s son Johnny stands before him, demanding the inheritance that was left to him in his mother’s will, namely, fifty percent of the land on which the reclusive Nikitas is now living. At first, Nikitas ignores his son. But there is also a company that is after the land; called simply “the monster” by the villagers, the firm wants to build a road here. To prevent the muddy ground from being pulled from under their feet, father and son have to dig deep into it. Together.Director Georgis Grigorakis sets his rain-drenched woodland Western against a majestic backdrop and finds robust yet tender images to tell this tale of rapprochement between two men. A story of resistance more powerful than the strongest excavator.
故事改編自喬納?巫羅雷蒙德的小說(shuō)《半命》，雷蒙德和導(dǎo)演雷查德同改編，設(shè)定在1920s的俄勒岡，一個(gè)西方廚子Cookie(約翰·馬加羅飾演)來(lái)到荒蠻的西部碰運(yùn)氣，遇了同樣前來(lái)尋找機(jī)會(huì)的中國(guó)民King Lu( 奧瑞恩·李飾演)，兩人一見(jiàn)如故，先龍借著一頭奶牛合伙季厘起了意。
羅莎媽媽有4個(gè)孩子。她在菲律賓首都馬尼拉一處破易經(jīng)的居民經(jīng)營(yíng)者一家小雜貨店。為了維生計(jì)，羅莎和他的丈夫Nester開(kāi)始倒賣(mài)麻醉針劑。一天，他荊山被警方逮捕。羅莎和她的子們?cè)敢庾鋈魏问乱詮母訇坏?察手中換取自由?
上世紀(jì)二十年代，年輕李富春和蔡暢在一次留學(xué)生聚會(huì)中相識(shí)，兩個(gè)樣滿懷著愛(ài)國(guó)熱情和報(bào)支援的年輕人被對(duì)方的采深深吸引。蔡暢的哥蔡和森與周恩來(lái)、向警帶鄰著勤工儉學(xué)的留學(xué)在北洋政府駐法公使館前示威請(qǐng)?jiān)?，學(xué)生們被公使召來(lái)的法國(guó)巡警所壓，李富春為救蔡暢，巡警打傷，兩人的感情加深厚，遂結(jié)為夫妻。下女兒李特特后，蔡暢李富春為革命事業(yè)忍痛開(kāi)尚在襁褓中的女兒，赴蘇聯(lián)學(xué)習(xí)。此后，一人為了祖國(guó)和人民，隨都準(zhǔn)備著為革命獻(xiàn)出自的生命。終于，新中國(guó)立了，但兩個(gè)人繼續(xù)為設(shè)祖國(guó)而努力工作。文大革命爆發(fā)，李富春和暢被這場(chǎng)突如其來(lái)的政風(fēng)暴壓得喘不過(guò)氣來(lái)，們相伴在一起，共同經(jīng)著這場(chǎng)艱難的考驗(yàn)。1975年初，李富春積勞成疾，病危住院，蔡暢前探視，卻因自己感冒怕染丈夫，只得在特護(hù)病外與李富春交談，無(wú)情玻璃窗門(mén)使兩人只能用和筆相互表達(dá)思想感情一對(duì)相濡以沫53年的革命伴侶，不得不在此訣…?
